Prose
Advanced Praise for Decentered Playwriting:
One of the great challenges for 21st century writers is how one forge's one's own poetics to resist the "realistic," well-made play, and the strictures of Aristotle and Stanislavski. How can we write for our communities and embrace the rich legacies of non-Aristotelian practice? What extraordinary conversations are gathered here in these pages.
— Paula Vogel
(Pulitzer Prize-winning playwright of How I Learned to Drive and Indecent)
Reviews:
Decentered Playwriting “allows us to … redefine playwriting for ourselves,” and makes “an important step toward the redefinition of the playwriting field.”
— Ana Candida Carneiro. “Review of Decentered Playwriting: Alternative Techniques for the Stage.” Theatre Topics, vol. 34 no. 2, 2024, p. 185-186.
